Thoughts on the creative industry, its pros and cons, its delights and miseries…
‘Done is better than perfect.’ Sheryl Sandberg (former COO of Meta) cited it in her book as a way of expressing the idea of doing something, even if it’s not ideal.
Collaboration ensures that the final product is not just the designer’s vision but a co-created solution that meets the client’s needs.
Starting a career in design can be both exciting and daunting. In truth, even those of us who have been here for a long time find it tough going sometimes.
Having consistent branding that is instantly recognisable creates trust and confidence.
Like with everything, everyone learns differently, and I think it’s important to find the right path for you, whether that’s traditional or not.
I wonder if we’ve become overly focused on it to the point of blocking out opportunities that more generalist designers enjoy.
Our portfolio is (and should be) an ongoing, evolving project that needs time and effort to make it work hard for us.
On the studio wall, there's a list. The first item on it is 'nobody has heard of us'. We often overlook this point, don't we? But it's possibly the one thing we need to remember to get ourselves to focus again.
When you enter the creative industry, it can be really tough to find your place, fit in, and earn a consistent living. Eventually, though, you find your stride and enter a dream period…
Here’s a question: how did you decide whether to run things as a freelancer or a design studio?
This is something I’ve often pondered, and the subject was raised again recently by a friend of mine, where we discussed the pros and cons of both options.
Not long ago, marketing ‘online’ was still in its infancy. We didn’t really have any of the social networking sites that are abundant now – Facebook was for students, we chatted people up on MSN or spied on people from school on Friends Reunited.
Often an afterthought for new business startups, branding is an essential element that sometimes seems overly complicated – and expensive to implement. But it doesn't have to be that way, and having some idea of branding can help you establish an identity and make all of your marketing so much easier.
It's all very well offering advice in theory, but how do freelancers and studios actually find their dream clients in practice? We asked the Creative Boom community, and we share their best stories here.
We all suffer burnout, but you don't have to suffer alone. Ahead of this year's Valentine's Day, leading creatives share their top tips on reigniting your passion for creativity.
Many clients don't fully appreciate what graphic designers can offer them. Leading practitioners explain why and offer advice on the way forward.
As real-world events return, does branded merchandise still have a role to play for creative agencies?
If you’ve been reading my content for some time, you might have read my previous posts about my thoughts on the benefits of having a design community and my efforts to put together a local design hub. These subjects have come to mind again recently for several reasons.
Happy birthday to us! It's Creative Boom's 13th anniversary this weekend, and to celebrate, we're sharing 13 brilliant tips from our community on creative progress.
For most of us right now, the subject of money is at the forefront of our minds. The cost of living, particularly things like food and fuel, has increased dramatically and continues to do so, and I’m sure, like me, this has brought up the subject of how much we earn as designers and whether or not we’re setting it right!
Here's that niggle I mentioned back in April. It might not have escaped your attention that there have been some changes over here. You see, quite some time ago, I decided to move away from my old business name (Severn Agency) and am now working under my new studio name &Something.
Here’s a question – have you ever come across situations where you’ve lost out on a project simply because of your location? Here’s another – does location matter?
Something happened to me recently that I questioned how important location is when searching for work
Being a designer, having a regular stream of paying clients is a big deal. Without them, we’re nothing more than hobbyists. But here’s the thing; we have to know how to talk to them to have people hire us. It’s essential that we speak their language and not bamboozle them with our jargon.
It might be good to head for the hills sometimes…Alice Fraser and Craig Oldham's Outside Directory champions the creative industry across the whole UK.
"Should I have done what X did, and would I be as successful as she is?"
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©1973–2023 Tony Clarkson
&Something Studio is a design studio based, but no way trapped, in Shrewsbury. Shrewsbury has trains and roads which lead both in and out.