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February 9, 2021 — No Comments

Working with or working for?

Do designers need other designers?

I live in a relatively small town – there’s a lot of history here and a large-ish college, meaning there’s a good mix of people and a growing creative community. I think I’ve talked a bit about this before, but where I live, work is a bit odd from a designer’s point of view.

Several graphic design and marketing agencies exist in and around my town, but they’re all relatively hidden. You really have to seek some of them out – if you don’t know about them, you probably won’t stumble across them.

Designers as a collective can be a guarded bunch. When you work outside the big cities, there seems to be an air of suspicion, whereby other designers are seen as competition rather than part of a more extensive network.

But considering this, are we losing out on opportunities to foster growth and create a helpful, creative network? Rather than fearing that other creatives are lying in wait to poach our clients, we should think instead of teaming up and collaborating to offer something more significant than we can currently provide; a way to stretch our creativity and learn from each other.

Creating as a collective

If you ask a bunch of designers – or creatives, for that matter – what they do, you will get a different answer from every single one of them. No two designers are the same; we all have our own style, specialism, and niche.
Of those tucked-away agencies around my town alone, they all have something very different to offer.

Having more than one style or skill come together can make for a much richer result and open fresh avenues for designers. It’s not about stealing work from each other – it’s about working together to create something completely different.

There will always be one person who takes ownership of a project – perhaps because they came up with the concept or something for their client – but collaboration is the difference between working with and working for. You can sub-contract out elements of the project, or you can choose to work together in a partnership where everyone is on an equal footing to get the job done – I know which I’d prefer.

Can collaboration make us better designers?

No matter what type of creative work you do, there’s always something new to learn. There are so many different ideas, techniques, and tools; having the opportunity to share some of them with other creatives can make you see things differently and get you out of a design rut.

It’s easy to trap ourselves into specific thought patterns, whereby we get caught up doing the same things over and over, becoming too comfortable to break out of our comfort zones. If that happens, we tend to lose confidence and then spend time convinced that our designs must be perfect before letting anyone else see them.

But design isn’t about perfectionism – it’s about creativity. If we get stuck in a loop of perfecting everything, doesn’t that mean creativity is shoved to one side?

Being with other designers is a good way to break that cycle – rather than being there to criticise your work, they can lend a fresh eye to it, and having those conversations can spark new ideas and get you moving forward again.

Work culture

Aside from actually collaborating, keeping in touch with other designers be valuable. We connect with those we can lean on for advice and have other like-minded people to talk things through; this is particularly true if you are a small agency or work alone – as you can feel relatively isolated, especially as currently, many of us cannot work in our usual settings.

Having that extra ‘backup’ can go a long way in giving you that feeling of being part of something bigger than yourself.

Published by admin in Design Community, Other things

January 22, 2021 — No Comments

Using graphics in social media in 2021

Compared to 10 years ago, when social media was still in its infancy, how we use it has changed dramatically. Back then, we only knew about Facebook, and as a platform, it was used in a much simpler, more personal way – we didn’t utilise it for business until more recently.

Looking at how things are today, we have a much more diverse landscape. There are several additional players, including Instagram, Twitter, TikTok, and Pinterest – and within those, there are several ways to communicate, with things like Stories being rolled out to almost every major social channel.

Over the years, social media platforms have become much more visual. As we scroll through our various social feeds, we will likely see less text and more images. Marketers have realised that having well-placed images on their social feeds helps to increase engagement – particularly now that most of us are using our phones.

In response to this, many new developments in online tech have allowed the average user to find their own images and even create their own. Apps like Canva are becoming the go-to for creating images and infographics that can be used on all social media platforms. There are plenty of websites where you can purchase stock images for content marketing.

I’ll get back to some of these a bit later. Still, I wanted to touch upon some of the ways we can use graphics in social media, some trends and fresh techniques, and the differences in using online tools versus having custom images created by a designer.

Why are images important for social media posts?

We process images much more quickly than words, so when we’re scrolling through our social channels, we’ll naturally pause when we see something stimulating our senses. Pictures, in particular colours, can convey messages to us on a different level.

In saying that, because there are so many images to process online, we need to plan what we post with care and attention. Finding that key element will not only stand out enough to make the viewer stop scrolling to take a closer look but allow them to instantly recognise you through that imagery. That will help create that ‘know, like, trust factor which is so important on social media.

Planning your social media images

It used to be adequate for us to take a snap and post it to our social media platforms when we felt like it. That’s no longer the case. If we want to get noticed online, we have a lot of competition; therefore, we need to plan out what we share and how we share it.

Social images, and social content as a whole, should fall into common categories, namely;

Entertainment
Educational
Inspirational
Thought-provoking

Think about how you want the viewer to react when they see the image. Do you want them to take a particular action, like clicking through to your website or blog post? Does it serve to give them a piece of information or news about your business? Does it help them in some way or encourage them to open a conversation with you?

There’s a huge trend, especially on Instagram, which is all about imagery. There will be some images that you might feel don’t fit into any of those categories – but if you’ve set them up correctly, then at the very least, they will serve as a recognition piece. Having a recognisable ‘pattern’ to the grid, and even a brand overlay, ensures that the brand has its own ‘look’, therefore being recognised by the viewer.

Suppose you can tie the overall look of your social images with other mediums, like your website and printed material. In that case, this will all work together as part of your branding, an important factor for content creation.

Stock Images or Professional Graphic Designer?

I get that many businesses want to have the ability to take ownership of how they post on social media, and part of that is being able to either use stock images or create images of their own. And there’s nothing wrong with that – if you have a clear idea and strategy in place.

The trouble is, many people don’t, and if you’re not careful, you could end up with a scatter-gun approach across your content marketing, which can be off-putting for your audience.

It all comes down to branding – and you must get it right across the board. It’s likely that you’ve paid someone to create your website, and tie all of your branding together, so don’t allow your social media to let it all down.

Yes, perhaps having a graphic designer on-call to create images every time you want to upload to your social media channels is overkill, but if you can get a set of templates, overlays, and brand colours set up and on hand, at least then you’ll have something to work with.

If you decide to use stock images (or take your own photographs), at least have some kind of consistency which will let your viewers know they are your images.

Get in touch if you’d like help or advice about anything you’ve read in this article. We’d be happy to help.

Published by admin in Branding, Digital, Other things

November 30, 2020 — No Comments

Three years of design

Unbelievably, Severn is three years old already. We’ve come a long way over that time; there have been a lot of highlights, and a few near-misses to learn from.
So I’d like to talk a little bit about what got us here, and share some of the most noteworthy projects that we’ve had the pleasure of being involved in over the past few years.

The reason why a made the decision to start an agency, rather than to freelance, was because of the way I wanted my business to grow. I wanted to be seen as part of something bigger, and having an agency felt a bit more substantial, and had a certain stamp of trust about it.

I feel fortunate that I made that decision, because it’s opened the doors to so many great design projects, and given me the freedom to experiment with plenty of techniques and processes, and allowed me to work alongside many different industries.

I’d like to share a few of my favourite projects and highlights, and some of the projects that are happening right now.

My highlight project

Perhaps it’s unfair to say this is my favourite project over the last three years; there have been many that I still look back on with a sense of achievement. But saying that, the work that I did for the local business, Glouglou, is one that sticks in my mind. Possibly because I had involvement in the branding of the business from its infancy, and the owners were so great to work with.

You can read more about what I did for them in another post, but in summary, their approach to the brand was unique, and I think we managed to come up with something that completely encapsulates what they are all about. I can’t think of another brand that looks like they do in their branding, and everything they do, both online and offline, ties in with their image perfectly.

Personal highlights

From setting up the business, and then working towards my MA, I’ve been able to explore so many opportunities I might not have thought possible before. Like creating my own book, Ten Yrs Later, which showcases my design thinking and tells my story through my work.

I also won the Creative Conscience Award, which was fantastic to work on and a huge confidence boost. Designing the app allowed me to try out new techniques and be involved in subjects I hadn’t previously had too much experience in – Mental Health, and the Emergency Services.

It’s not something that many people think about, but there is huge pressure on people who work on the front line, and taking care of their mental health is often overlooked, and frequently stigmatised. So being able to look at ways I could help them, as a designer, was an eye-opening and valuable experience.

And an upcoming highlight – I’ve recently been asked to get involved in the Coventry Design Festival (although that one isn’t happening until 2022).

What’s happening right now?

There are a couple of local projects going on that I’m part of, and both are centred around Shrewsbury.

The first one – Market Hall: A Day in the Life – is focused on Shrewsbury Market Hall, and tells the story of the building’s history, and the people who work there. The building has always been a big influence within the town, and it’s great to keep it alive by telling the stories of the current stall-holders, and giving a history of its architecture and use over the years, in relation to the town.

Another ongoing project – Public Opinion – where we created an online survey, did face-to-face interviews and asked on social media, where the local public could share, anonymously, their opinions on the town of Shrewsbury.

We used this information to share some of the comments, using stickers around the town, sharing a booklet, and projecting them on slides from the studio.

Did lockdown affect us?

I was affected very personally by Covid – my family and I caught it about 2 weeks before Lockdown 1.0. What hit me most was how utterly exhausted it made us feel. And then of course businesses began to shut down, and I was left in a situation where for the first time in a long time, I had to seek out work, because everyone was putting their marketing on pause, meaning my workload reduced significantly.

The second lockdown has felt different – in general, more businesses are staying open where they can, and those who are working from home are more confident in booking meetings vis Zoom, so even if budgets are reduced, they are thinking about how they can remain in front of their customers, which means keeping ahead with web design and graphics.

The future

I think for all businesses, the future looks different to how we thought it would back at the beginning of the year. We’ve all had to adjust, and I’m no exception.

Views have changed, and for me, it’s forced me to focus on things in a different way.

I’m keen to continue to evolve in a professional capacity and challenge myself a bit more. I’m really enjoying working with local causes, and I count myself lucky to be in this part of the world.

Published by admin in Other things

September 2, 2020 — No Comments

Winners of a Creative Conscience Award 2020!

We’re really chuffed to be able to announce that we’ve won an award!

The Creative Conscience Award is an annual competition with a bit of a difference – it focuses on design projects with a social impact. The main starting points provided for the brief are Mental Health, Equality, Conscious Consumption, and Climate Crisis, as well as an open brief.

Example UI and UX screens making it simple to navigate — Oppo main screen examples

Giving something back to the UKs emergency services

Given what’s going on in the world, it was perhaps pre-determined that I should focus my design on the category of Mental Health and look at a group of people who are particularly often ‘missed out’ on the equation – our Emergency Services.

This is a section of our community who are often called upon when we are facing trauma, mental instability, and the emotional fallout of injury and illness. Still, we neglect to consider that they are on the frontline dealing with often unimaginable pressures every day.

Like no other, this is a section of the workforce who are expected to be able to deal with all kinds of emergencies and, in many cases, feel that they have to cope with those situations on their own or rely only on the team around them who are going through the same things.

“It’s when you’re on your own afterwards you have time to process, and think about it and everything hits you at once”
PC, West Midlands Police

A lack of available mental health support

As I began to look further into it, I uncovered some worrying facts and stories. I heard reports of police officers suffering from varying degrees of stress and anxiety, who continued to work under the same pressure, being forced to manage their issues alone without support.

I learned about more and more instances of physical abuse from the very people they were trying to help, resulting in injury and even death.

I read worrying statistics of members of the emergency services and military who, due to immense pressures, had attempted to take their own lives.

So I set about researching things that could help raise awareness of the issue and offer advice, help, and support to those who needed it.

“Now, ‘lone-wolf’ or ‘active shooter’ situations, the policy is that the first to arrive on-scene go straight in”

Armed Response Officer, West Mercia Police

Create a discreet and self-managed tool

The concept of a self-help/self-awareness app appealed to me because I felt that from speaking to those who were affected, mainly focussing on the police force, it could be used as a discreet tool – many of the officers I spoke to felt there was a stigma in the force around mental health, and the possibility of simply ‘raising awareness’ with the general public had the danger of undermining their authority, and in some cases making them a target for abuse.

Ways to input your data: stylus, voice recording, text or from a keyword menu

By allowing them to log on to an app, I could then offer them a way of recording their mental state and give them a space to ‘talk out’ their feelings in private, without judgement. In this, the app could offer them practical advice based on their own circumstances, helping them gain control over their feelings and take action.

Oppo's AI chatroom — Oppo’s AI Chatroom Screens

This was a very different project for me – it meant that I had to delve into a subject that I previously had only a basic understanding of. It forced me to think about ways of designing something for a particular set of people. From the styles and colours I used to the language and tone, every element had to come together in a way which could be clearly understood, was visually impactful, yet made the user feel that the space within it was peaceful, personal, and friendly – even the name ‘OPPO’, meaning ‘Friend’, gives a sense of support with no judgement.

All in all, it was a fantastic project to work on. And clearly, one which appealed to the judges too.

Please take a look at our case study for more project details.

Published by admin in Other things

June 17, 2020 — No Comments

How having a local creative hub can help designers get more work

I’ve spoken before about the lack of creative support in my town – there is little here in the way of events for designers, and that’s something that I’d love to rectify. I think there are a great many benefits in creating a community, or hub, for creatives in my town, but they seem to be reserved for larger towns and cities. It’s important that as an industry, we are able to call on each other for advice, support, and inspiration.

So this article is more for the benefit of my fellow designers, who, like me might be struggling to connect with like-minded people, and wonder how we can better support each other in creating such a community and share resources in searching out and getting more paying clients.

Firstly, I’d like to explore some of the ways we might get clients, because we all do things very differently. There is no right or wrong way, but in sharing ideas, perhaps we can help each other to try new avenues, and get more of the types of clients we really want to be working with.

When I created my design agency, I did so because I believe that being part of something gives a professional edge. I decided to open as an agency for that reason.

I don’t really know whether the way that I market my agency should differ very much from the way that a freelancer might, perhaps being an agency means that my marketing is a little less personable, in that my brand is The Severn Agency rather than myself, Tony Clarkson. So whichever method I use to market, I’m doing so as ‘us’ and ‘we’, rather than ‘me’ and ‘I’. It kind of sounds a bit more professional to the kind of people that I want to be targeting, but you might think differently.

Sharing resources

A lot of us get overwhelmed when it comes to looking for new projects, especially in the beginning. Although in time, we find our own methods, it can still be difficult – the current climate has proved that. It’s important that we explore different ways of marketing, and building a design community can once again be so helpful in that. When we get stuck in a rut, as we all do, it’s useful to be able to call on others for support.

In that, I’d like to be able to share a few ideas here with you about methods that you might already use, or that you might not have thought of but want to try.

My methods

In my experience, the best work comes through referrals. Getting your name and face around as much as possible, talking to people about what you do, and not being afraid to network face-to-face is by far the most effective way you can grab people’s interest. If you can get even one client to refer you to a few of their contacts, it tends to have a ripple effect, and you can build quite a decent portfolio this way.

When you’re at the beginning of your career, I think the most important thing you can do is to create enough samples of the kind of work you want to be doing and sharing it across your website and social media platforms. The great thing about graphic design is that it’s visual, and can easily grab people’s attention. If you’ve got a specific style, people will begin to recognise it as yours and look out for it.

If you do want to approach people ‘cold’, it’s vital that you address any emails or letters to a specific person. Get a name, and do a bit of research about them. There’s no harm in stalking someone you want to work with on LinkedIn, and this can then lead you to their other social platforms and websites, where you can learn so much about their businesses, helping you to approach them in a more personal way. Rather than a ‘Dear Sir, I’m a designer, please hire me’, you can be saying, ‘Dear Tom, I see you are creating a great brand through your Instagram – I really think I could help you with that…’

Can people find you?

It stands to reason that if people don’t know you exist, they’re not going to seek you out. Something I see time and time again when I’m asked to help businesses with rebranding and web design is that they’re not making any effort to share what they do. It’s all very well having a beautiful website, but it will just sit there if you fail to use it.

Your aim should be to lead people to your website, and make it clear what you want them to do when they get there (i.e. hire you!) Make sure that all your best work is on your website, and share it around social media. Update people about the work you’re doing right now. Create a blog and drive people to it via a newsletter or sales funnel.

The more content you create through your website, the better you will rank on Google, and the more you will be found.

Be visible, and pool your resources

Rather than seeing others in your industry as competition, start talking to them. This again comes back to the original subject here of building a design network – other creators are not the enemy, and we can and should help each other out.

If you see a piece of work by another designer that you admire, there’s no reason you can’t reach out to them through social media – tag them publicly telling them and others how much you love their work. Spark a conversation, and get to know them.

If you don’t yet have a design community in your area, like me, look at ways you can create one. This is where I’m at right now. I want to make that happen so that I and others in my town and surroundings can have our own ‘hub’ to call upon.

Published by admin in Other things

Tags: collaborate, group, hub, meet up, portfolio, progress

June 9, 2020 — No Comments

Why side projects can be good for graphic designers

I’ve heard a lot of talk, especially during the current climate, around whether or not graphic designer should consider creating their own side projects. Opinions tend to vary quite widely on the subject – some designers see them as somehow a waste of their time, in that it takes them away from doing paid work, and perhaps sends the message to prospective clients that they’re not so much in demand. Others think that they’re a great way of doing something ‘out of the norm’ and taking it as an opportunity to expand design portfolios, and indeed knowledge within the field of design.

While I can see both views, I think that, done right, they can enhance a design portfolio, and even lead a designer off in a new direction that might not have been possible within ‘the day job’. In fact, I myself published a book showcasing my design journey, and am currently organising some events promoting local designers, both of which were things that have come as a result of my own passion and desire to push myself beyond what I normally do.

I think, as creatives, it’s easy to get bogged down in doing work for others, so in occasionally doing things that come from our own passion can be a welcome release, and a really good way to inspire us. I’ve found that, in doing these side projects, I have so often been inspired to try different techniques and designs for my client work, too.

Above: Spectra Kinetic Sculpture by Accept & Proceed

Looking around at other agencies, there are some examples of side projects that have been so successful, they have enabled the agency to take on completely new projects that they might never have had the opportunity to bid for under normal circumstances, like London agency, Accept & Proceed, who created a kinetic sculpture representing the impact of meteors on the surface of the moon that led to a commissioned project for NASA. Ok, so that might be an extreme example, but you never know…

Above: Grace-FO Display by Accept & Proceed commissioned by NASA/JPL

Of course, there is no harm at all in flexing your creativity and working on a project just for the hell of it, even if it goes nowhere. It can teach you a lot – not just by playing around with different styles and techniques, but also giving you practice in new programmes which might not come up in your usual work. Unlike some industries, the graphic design field is ever-evolving, and it’s good to try out new ways of working now and again. It might give you the opportunity to incorporate a new service for your clients, or even take your agency in a different direction.

And they can be so varied – I’ve seen designers doing online courses teaching others simple design techniques, YouTube channels showcasing everything from ‘a day in the life’ to time-lapses of works in progress, blogs and magazines, photography…the list is endless.

Above: Part of our visual proposal for a community project documenting a day-in-the-life of one of Shrewsbury's iconic buildings.

Do what you love

I know what you’re thinking – if you are busy indulging your passions, doesn’t that pull you away from the money-making projects? And yes, of course that’s true, but if you don’t make time for creating your own stuff, then what’s going to inspire you if all you’re doing is working for clients? As a creative, you need an outlet, somewhere. After all, most of us got into this industry from a place of love for creation and design, and if we fail to keep doing what we love, then there’s a danger that working could become monotonous.

A fresh perspective – for you and your clients

Of course, there’s the added benefit of being able to show your clients a different side to what you do. If you’ve been designing as a job for a while, you tend to end up doing the same kinds of things, but think about this: what if the very client you are designing that website for is also in the market for some photography, or a new identity, a video…if they are not aware that you have a talent for those things, you could be missing out on a whole new set of projects.

All in all, I believe that there can be great things to come out of doing side projects. So why not plan for them? Even if it’s simply a one-off, or a few hours at the weekend? It could be great for both your mental health, and your career.

Published by admin in Other things

Tags: just because, learning, new skills, personal development, portfolio, re-energise, self promotion, side project

January 7, 2020 — No Comments

The Benefits of a Design Community

I wanted to talk about a subject that I touched upon in a couple of earlier articles, where I write about why I went back into education to complete my design MA, and then about being a designer working within a smaller community. I’ve been thinking a lot about my own working location, a small-ish market and college town, and how perhaps larger places have a much closer design community.

Shrewsbury, where I live and work is quite a unique, and in some respects, vibrant town. It comes with a lot of history, and is also a great hub for businesses.

What surprised me, though, is when I began to look around at my own industry, there really isn’t much of a community at all. It’s not for lack of designers or design agencies in the town – if you know where to look, there are some very successful designers here. But they seem to be quite isolated; hidden away from view. Seemingly keeping to ourselves, not through lack of interest, but more because we don’t go out of our way to know about each other. There is simply no interaction between us.

The discovery led me to look around, at other places, and how they have come together to collaborate and communicate, creating a ‘hub’ for their design communities. I looked at some of the most successful ones – the Graphic Design Festival Scotland, and closer by the Birmingham Design Festival. These designers seem to not only willingly collaborate, but celebrate doing so. They come together for events such as these – perhaps because, rather than see each other as competition, they see the value in working together on occasion, in pulling together to learn from one another, and creating their own ‘hub’ in their own communities.

The positives of design communities

There are many positives that can come from being part of a close design community – and creating local festivals and exhibitions to celebrate and collaborate. Of course, it does have the obvious benefit of showing off our work in order to give publicity to our individual studios – but I think it does much more than that.

Being so isolated, in many ways, can be such a negative. For starters, by working in such close quarters, you lose that sense of the world around you – you become self-absorbed in your own work. And yes, you might argue that we are all part of the ‘online’ community, but is that really the same thing? Is there really any substitute to getting to know what’s going on in the immediate community, what’s happening in your own industry, in your own town?

The opportunity to bounce ideas with each other, to learn for each other’s experiences, to come together to work on bigger projects, can only help us to thrive as designers.

Being part of such events as the ones mentioned above can be such a positive experience, a moral booster, and give us a sense of where we are going, as an industry collective. There’s such a lot we could learn from each other.

Can we create our own communities?

This is where I am right now. This is the big question I’m asking – how can I facilitate putting together something in my own community which can bring together other designers?

I’m looking at other local events – there are regular, and successful events for other creatives in my town. There are exhibitions for local artists, both traditional and modern, festivals for writers and comic book artists, amongst others. So there is scope – and some really great venues in which to host such things.

I’d be interested to learn how other places do it – perhaps you have even been where I am, and have seen the opportunity in your own town or city. If you have, maybe you could give me the benefit of your experience. Tell me how you did it, what obstacles stood in your way. Were you successful?

Shrewsbury, I think, would be the perfect place to host a festival for graphic designers – and I’m hoping that in the future, I can facilitate that. I can see a huge benefit in raising the industry profile in the town and surroundings.

Published by admin in Other things

Tags: design festival, designcommunity, graphic design, shrewsbury

August 29, 2019 — No Comments

Reasons for Graphic Designers to go back into education

Graphic Designers – never stop learning

I’ve worked as a graphic designer for a long time, graduating from Wrexham Glyndŵr University in 1993 and working in various studios, bringing me to launch The Severn Agency in 2017. You might say that I’ve made it – that there’s nothing else that I need to achieve from here. But you’d be wrong. Graphic design is a fluid industry, ever changing, ever evolving, and to stay in the game, it’s important that I don’t sit still, because chances are, if I do that, I’ll fall behind, and things will move without me.

Digital Evolution

In the early 90’s, things took a real leap in the field of graphic design, as it was in 1990 when we saw the first version of Photoshop arrive on the scene. This changed the industry a lot, as it meant that designers could experiment with graphics in a way that we’d never seen before. The techniques it allowed were ground-breaking, with overlapping text, image overlays, and faded elements, which previously had been impossible to achieve on-screen.

By the 2000’s, the tech had become much more powerful, and we saw a surge in portable devices. Graphics evolved again with this new technology, and images with movement came into focus. Corporate design and logos began to look much more like they were in motion, using new techniques with angles and shadowing.

Now, trends change year on year, and there are so many styles and techniques open to us in the graphic design industry. But both design and technology continues to change and evolve.

The next step

This year, I have embarked on a Master’s Degree in Graphic Design. Why? Because I want to safeguard my future in this industry, and I want to be the best that I can be.
And that is the reason for my writing this article. Whether you are a graphic designer, are looking to get into the industry, or are pursuing another job entirely, I think there are huge benefits in going back into education in order to get better at what you do and advancing your knowledge.

It can be a great refresher on what you’ve already learned, or it can take you to the next level in the evolution of your career. And of course, it gives you the opportunity to learn about advancements within the industry, whether that’s technological changes, changes in trend, or changes in the industry that you might otherwise have missed out on.

As well as this, you could be connecting with people who are at the same point in their career as you, which gives you the opportunity to learn about what others in the industry are doing.

Why go back into education?

For me, going back into education, to get my Master’s Degree in Graphic Design, is about me keeping up with the industry, and becoming an expert in what I do. But there are many reasons for you to seek further education, whether you’re already working in the industry or not. And you can do it at any age.

It could be that the career path you’ve chosen is no longer a good fit for you, and you’re looking to change. There are plenty of people who decide very late on in life which career path they have a passion for – it’s a myth that everyone who leaves college or even university has a clear idea of what they want to do for the rest of their lives. People change, and so you shouldn’t be afraid to make changes in your career, no matter your age.

Perhaps you are in your chosen career but have come to the end of your potential, either by salary or skill. If this is the case, you might decide to take the next step and go back into education in order to climb the ladder and further your career.

Or it might be that you simply want to learn something new, to accompany the education you’ve already got. There are plenty of jobs in which graphic design feature, and having some kind of formal education can do wonders in enhancing your skills.

Graphic Design never stays still – and whatever your reasons, learning the skills needed to keep yourself current in the industry is always beneficial.

Published by admin in Other things

Tags: falmouth university, graphic design, online learning, personal development, re-energise

June 12, 2018 — No Comments

People of Print: TENYRSLTR BY SEVERN

posted by POP MEMBERS June 12, 2018

Graphic Designer Tony Clarkson tells us about his journey that led him to create his hardback book that promotes his new studio venture: Severn. “I’d been pretty restless at the old studio for quite a while but told myself that it would be ok, that things would change and things would…

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Tags: People of Print, Press Release, relaunch, Self Publish

June 8, 2018 — No Comments

Creative Boom: Severn celebrates 10 years of design work ‘worth shouting about’ with a beautiful book

Written by Katy Cowan

08.06.2018

It happens to the best of us. One minute we’re excitedly launching our own business; the next, we’re stifled by a large client and our creativity is compromised. This is what happened to designer Tony Clarkson of Severn when he worked for another agency.

“I’d become very restless at my old studio,” he explains. “We had fallen into the trap of having one main client which took up most of the time and…

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Tags: Creative Boom, Press Release, relaunch, Self Publish

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